#808s and heartbreak review movie
#808s and heartbreak review registration

Instead of rapping (and through a vocoder-like device) over Nonetheless, this album turned West into a superstar.Ĩ08s & Heartbreak (2008), the musical soundtrack of an emotional meltdown, was at least an interesting experiment: This album has neither the wit nor the pathos of the previous album. The verbose seven-minute We Major is another mixed blessing, just like the longest track on the previous album. The most surreal number is the six-minute Gone, a funny piano-driven dance with wails of strings and a driving dialogue of voices. The thundering Diamonds From Sierra Leone.Īnd the unconventional choreography of Addiction (Brazilian polyrhythm, soft vocals, digital backbeats, but actually little or no orchestration) Like the horn noise of a swing band that permeates Touch The Sky,Īlmost tribal sound generated by Gold Digger, When the arrangements are dense enough, they add meaning and not just elegance, More dramatic Bring Me Down (a duet with Brandy) and the more The fluttering mellow ballad Heard 'Em Say announces a less

#808s and heartbreak review registration

Late Registration (2005) into a stately hip-hop fresco and aĭistillation of the genre's existential legacy. Hyper-chromatic three-dimensional arrangements This is supremely intelligent, creative and trans-stylistic postmodernism. The 13-minute stream of consciousness Last Call that closes the show

Jesus Walks, replete with funereal call-and-response of both male and female voices,Īnd the demented dissonant pseudo-klezmer dance of The New Workout Plan (with more Frank Zappa-esque traits in the vocal interaction) that suddenly remixes itself into a techno number. Halfway between the cabaret and the rant are the military march of

#808s and heartbreak review movie

Two Words, with a harpsichord simulating a suspense movie soundtrack and vast layered choirs,įamily Business, coupled with a jazzy piano sonata and a gospel hymn.įinally there are short satirical skits that parody ordinary life by means of old-fashioned melodies like Graduation Day and I'll Fly Away. Never Let Me Down, interwoven with girls humming Chinese melodies at an anthemic tempo, Then there are traditional rap rants but architected in creative manners:Īll Falls Down, featuring funky Spanish guitar and female backup vocals, Spaceship, which is lounge music with even a touch of Frank Zappa-esque orchestration, and Slow Jamz. We Don't Care, with Caribbean feeling and children's singsong, There are three main streams of music here. My Beautiful Dark Twisted Fantasy (2010), 7.5/10Ĭhicago's rapper, singer-songwriter and producer Kanye West produced Jay-Z, Talib Kweli and Alicia Keys and then fashioned one of the most personal concepts of the era, the soul-infected ( Copyright © 2006 Piero Scaruffi | Terms of use)

Kanye West: biography, discography, review, ratings, best albums